Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Here are all the paintings of Paul Signac 04

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
33977 Two Milliners,Rue du Caire Paul Signac Two Milliners,Rue du Caire mk87 c.1885/86 Oil on canvas 111.8x89cm Zurich,Stiftung Sammlung E.G.Buhrle
48752 Unknown work Paul Signac Unknown work mk191 Oil on canvas
48769 Unknown work Paul Signac Unknown work mk191 Oil on canvas
36972 Venice Paul Signac Venice mk115 1905 Oil on canvas 130x163cm
45000 Venise-Le Nuage Rose Paul Signac Venise-Le Nuage Rose mk183 Signed and dated 1909 Oil on canvas 73x92cm
36916 Wave Paul Signac Wave mk115 1888 Oil on canvas 60x92cm
71284 woman Paul Signac woman mk290 1894 6x9in
71265 woman arranging her hair opus Paul Signac woman arranging her hair opus mk290 1892 23x27in
11583 Woman by Lamplight Paul Signac Woman by Lamplight 1890 9 3/4'' x 6''(24.5 x 15 cm)Gift of Mrs.Ginette Signac,1976
71223 woman reading Paul Signac woman reading 1887 9x5in musee d orsay paris gift of ginette signac1979
54185 Woman Taking up Her Hair Paul Signac Woman Taking up Her Hair mk235 1892 Oil on canvas 59x70cm
71275 woman with a parasol Paul Signac woman with a parasol mk290 1893 32x26in
3824 Women at the Well Paul Signac Women at the Well 1892 Musee d'Orsay,Paris
40826 WOmen at the Well Paul Signac WOmen at the Well mk156 1892 Oil on canvas 210x146cm
80144 Women at the Well Paul Signac Women at the Well Paul Signac: Women at the Well, 1892; Oil on canvas cjr
21105 Women at the Well (Young Provencal Women at the Well) (mk06) Paul Signac Women at the Well (Young Provencal Women at the Well) (mk06) 1892 (Salon des Independants,1893)6' 4 3/4'' x 4' 3 1/2''(195 x 131 cm)RF 1979-5
71269 women at the well opus Paul Signac women at the well opus mk290 1892 76x51in
71330 yellow sunset Paul Signac yellow sunset mk290 1918 7x9in

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Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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